In John Thompson’s Merchants of Culture, there’s an interesting remark about the structural position of first time authors which I think has wider purchase. From pg 200:
Ironically, in a world preoccupied by numbers, the author with no track is in some ways in a strong position, considerably stronger than the author who has published one or two books with modest success and muted acclaim, simply because there are no hard data to constrain the imagination, no disappointing sales figures to dampen hopes and temper expectations. The absence of sales figures sets the imagination free. The first-time author is the true tabula rasa of trade publishing, because his or her creation is the book for which it is still possible to imagine anything and everything.
A world where metrics are ubiquitous is a world where imagination has died. When everyone has a track record, the space to imagine someone’s future as radically different from their past collapses.
Categories: Algorithmic Authoritarianism and Digital Repression Cognitive Triage: Practice, Culture and Strategies Communicative Escalation and Cultural Abundance: How Do We Cope? Digital Inequalities The Content Ecosystem The Technological History of Digital Capitalism Thinking