In our discussion of metrics systems, it’s easy to treat subjectivity as a cipher, regarding people as passively moulded by algorithms or blindly governed by the incentives that operate through the institutionalisation of the metrics. My objection to the former is not the claim that people are shaped by metrics, but rather the assumption that this process is basically passive. My interest is in how metrics come to matter to us. How are people shaped over time? How do their biographically accumulating dispositions and concerns influence the actions they take over time? How do these feed back into the metrics system and the organisations within which they are institutionalised?
The fictional portrayals that are starting to emerge of this – novels like Super Sad True Love Story, the Circle and Whiskey Tango Foxtrot, films like Nerve – often struggle to represent this engaged subjectivity because the imperatives of effective story telling militate against it. What we really need is a novel or film that explores metricisation through the internal monologue of what I imagine would turn out to be an unreliable narrator.