Over the next few years, I’ll be working on a collaborative project on trans- and post-humanism, building on the Centre for Social Ontology’s previous Social Morphogenesis series. My main contribution to this will be co-editing a volume, Strangers in a Familiar Land, with Doug Porpora and Colin Wight as well as exploring digital technology and what it means for human agency.
This project is giving me a reason to read more widely than I have in a while, with a particular focus likely to be Andy Clark’s work in the philosophy of mind, speculative realism and continental philosophy of technology. There’s a lot of value to be found in the latter but one persistent point which frustrates me is what appears, to me at least, to be a fundamental confusion about the category of the human. This issue became clear to me when reading a thought provoking blog on Social Ecologies:
Why must everything revolve back to a human relation – for-us? This human exceptionalism resides throughout the gamut of philosophical reflection from Plato to Derrida. One will ask as Bradley does: Why, in other words, can something that believes itself to be a critique of anthropologism still be seen as essentially anthropocentric? Can we step outside this temple of man and create a non-anthropocentric discourse that doesn’t find itself reduced to this human relation by some backdoor slippage of conceptuality? Are we condemned to remain human? What or who is this creature that for so long has created a utopian world against its inhuman core? If we were to be released from this prison of the human who or what would emerge? How alien and alienated am I to what I am? How monstrous am I?
Unless I’ve entirely misunderstood a literature I’m still relatively new to, ‘technicity’ is an abstraction from material culture. It’s an abstraction which serves a purpose, allowing us to isolate the technical so as to inquire into its character, but the empirical referents of the term are technological artefacts i.e. a domain of material culture. In which case, it should not surprise us that the human constantly resurfaces, nor should we impure this tendency to a mysterious stickiness which ‘humanism’ as a doctrine possesses.
Material culture will always imply questions of the human because we are talking about artefacts built by, for, with and against human beings in social contexts which are similarly human saturated. The value in considering ‘technicity’ lies in opening out a space in which we can inquire into the emergent characteristics of the technical as a domain of material culture, considering the logic that guides it and how it can act back upon creators and the social contexts in which they create. But explaining material culture necessarily entails human-centred accounts, even if these have tended to problematically exclude or marginalise non-human elements.
To suggest otherwise strikes me as straight-forward mystification, circumscribing large domains of social life as outside analysis, rather than offering a meaningful competing ‘inhuman’ explanation. It seems like a clear example of what Andrew Sayer calls a ‘PoMo flip’: responding to a problematic dichotomy by inverting it, rather than seeking to transcend the conceptual structure that creates the problem. In this case responding to an exclusion of non-human elements by seeking to exclude the human elements instead.