My notes on Strathern, M., & Latimer, J. (2019). A conversation. The Sociological Review, 67(2), 481–496. https://doi.org/10.1177/0038026119832424
In this interesting conversation with Marilyn Strathern, who I had the pleasure to meet when Jana Bacevic organised a a masterclass with her at our department, Joanna Latimer explores the act of writing and the influence Strathern’s has had on her own. Joanna explains her experience of how Strathern’s writing “has this kind of extraordinary way of entering into one” such that “your parts become my own, and then I discover I can’t think without your parts”. As Strathern explains, her writing is intensely conversational even if the reader might not be aware of exactly who she is having the conversation with:
And it may be that this sense of always being in conversation contributes to that. There’s an ethical side to it, and of course when I was doing my work on intellectual property I sort of touched on it, which is that, you know, nothing actually ever sprang from Zeus’s head fully formed. I mean one is in debt, one is incredibly in debt, one is always taking what other people have done, whether one knows it or not. It’s not always that I have a particular person in mind, or I’m writing for people who’ve provided me with the means to do so. Rather, you stand on, stand on the shoulders of giants and all the rest of it. I’m very conscious, that one is just simply turning the soil until the next person comes along. So there’s that aspect. There’s also the intellectual chase that one gets into, getting into somebody’s argument. It does its work, it sparks you off, and you really want to pull it apart or you want to put it back together again or you want to take bits out. There are things that you think you could do otherwise. And so forth. And that’s very often in relation to specific arguments.
It is writing which seeks to “turn your reader over”, as Joanna puts it, by upending the conventional and the assumed. Marilyn describes her object as “recurrent habits of thought people just get into, time and again”, some of which provoke “real anger, I mean I’m cross”. It left me with a strong sense of the intimacy of writing, almost as vectors of entanglement through which the concerns of the writer spill over their boundaries and into the reader. There’s a really interesting section connected to this about Marilyn’s preference for the word person over terms like identity or individual. These are bound into an imaginary which needs to be critiqued and other choices create the opportunity to get out from under them:
Person is a term that I get from orthodox classical British social anthropology. A person is a social configuration. It’s always a relational construct. It doesn’t have the [vernacular] implications of individuality that identity has. I think that’s where the preference is. […] But because person is slightly unusual in English, after all we do use it, everyone knows what we mean, and there are contexts where we use it on an everyday basis – like ‘a person in their own right’ – but actually we don’t use it as much as we would use the word individual for example, or human being, or whatever. Slightly unusual. And it tends to be in legal language, doesn’t it? Person of no fixed abode. Whereas we’d [ordinarily] say man or woman, or whatever.
There’s a micro-podcast here in which I respond to Joanna Latimer’s presentation of an early version of this paper at a workshop last year. My talk is at 40 mins: