Raiding the inarticulate since 2010

accelerated academy acceleration agency AI Algorithmic Authoritarianism and Digital Repression archer Archive Archiving artificial intelligence automation Becoming Who We Are Between Post-Capitalism and Techno-Fascism big data blogging capitalism ChatGPT claude Cognitive Triage: Practice, Culture and Strategies Communicative Escalation and Cultural Abundance: How Do We Cope? Corporate Culture, Elites and Their Self-Understandings craft creativity critical realism data science Defensive Elites Digital Capitalism and Digital Social Science Digital Distraction, Personal Agency and The Reflexive Imperative Digital Elections, Party Politics and Diplomacy digital elites Digital Inequalities Digital Social Science Digital Sociology digital sociology Digital Universities elites Fragile Movements and Their Politics Cultures generative AI higher education Interested labour Lacan Listening LLMs margaret archer Organising personal morphogenesis Philosophy of Technology platform capitalism platforms populism Post-Democracy, Depoliticisation and Technocracy post-truth psychoanalysis public engagement public sociology publishing Reading realism reflexivity scholarship sexuality Shadow Mobilization, Astroturfing and Manipulation Social Media Social Media for Academics social media for academics social ontology social theory sociology technology The Content Ecosystem The Intensification of Work The Political Economy of Digital Capitalism The Technological History of Digital Capitalism Thinking trump twitter Uncategorized work writing zizek

Why do academic celebrities self-plagiarise?

I’m not searching for self-plagiarism but I increasingly spot it when reading. It’s a vague itch of “I’ve read this before” and the search facilities of digital books (Google Books, Kindle etc) makes it easier than ever to confirm. I noticed recently that a paragraph of Zizek’s recent Russia Today pieces on Covid-19 (which one expects will be reproduced in his forthcoming book on the subject) was directly lifted from his recent book on digital capitalism. I noticed the same thing when reading Rosi Braidotti’s The Posthuman (2013) which contains a passage I had read a few days earlier in her Posthuman Knowledge (2019):

Why do they do this? I understand reproducing ideas as a condition of accelerated knowledge production: demand for the ideas of academic celebrities outstrips their capacity for supply hence the necessity of reiteration. But why directly copy and paste when it would take a few minutes to simply paraphrase? I can’t help but feel it shows a contempt for the readers who are buying these books latent and unacknowledged within what I suspect the celebrities experience as their own rushing sense of self-importance.