Raiding the inarticulate since 2010

accelerated academy acceleration agency AI Algorithmic Authoritarianism and Digital Repression archer Archive Archiving artificial intelligence automation Becoming Who We Are Between Post-Capitalism and Techno-Fascism big data blogging capitalism ChatGPT claude Cognitive Triage: Practice, Culture and Strategies Communicative Escalation and Cultural Abundance: How Do We Cope? Corporate Culture, Elites and Their Self-Understandings craft creativity critical realism data science Defensive Elites Digital Capitalism and Digital Social Science Digital Distraction, Personal Agency and The Reflexive Imperative Digital Elections, Party Politics and Diplomacy digital elites Digital Inequalities Digital Social Science Digital Sociology digital sociology Digital Universities elites Fragile Movements and Their Politics Cultures generative AI higher education Interested labour Lacan Listening LLMs margaret archer Organising personal morphogenesis Philosophy of Technology platform capitalism platforms Post-Democracy, Depoliticisation and Technocracy post-truth psychoanalysis public engagement public sociology publishing Reading realism reflexivity scholarship sexuality Shadow Mobilization, Astroturfing and Manipulation Social Media Social Media for Academics social media for academics social ontology social theory sociology technology The Content Ecosystem The Intensification of Work theory The Political Economy of Digital Capitalism The Technological History of Digital Capitalism Thinking trump twitter Uncategorized work writing zizek

The poor white American abject 

From Strangers In Their Own Land, by Arlie Hochschild, loc 2422:

“Crazy redneck.” “White trash.” “Ignorant Southern Bible-thumper.” You realize that’s you they’re talking about. You hear these terms on the radio, on television, read them on blogs. The gall. You’re offended. You’re angry. And you really hate the endless parade of complainers encouraged by a 1960s culture that seems to have settled over the land. 

On top of that, Hollywood films and popular television either ignore people like you or feature them—as in Buckwild—in unflattering ways. “Two missing front teeth, all raggedy, that’s how they show us,” one man complained. The stock image of the early twentieth century, the “Negro” minstrel, a rural simpleton, the journalist Barbara Ehrenreich notes, has now been upgraded, whitened, and continued in such television programs as Duck Dynasty and Here Comes Honey Boo Boo. “Working class whites are now regularly portrayed as moronic, while blacks are often hyper-articulate, street smart . . . and rich.”