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The defensive elites of the cultural industries 

In my search for ‘defensive elites’, which is to say high-net worth individuals exhibiting insecurity and defensiveness about their position within society, I’ve tended to focus on the business world. But this fabulously readable book by Harry Browne, The Frontman: Bono (in the Name of Power), suggests I’ve cast the net too narrowly. From loc 877:

Drummer Larry Mullen Jr, not always a reliable ally of the man whose ass he had gazed at across a thousand stages for thirty-plus years, showed similarly touchy out-of-touchness when he whined about dirty looks at Dublin Airport: there was ‘a new resentment of rich people in this country … We have experienced [a situation] where coming in and out of the country at certain times is made more difficult than it should be –not only for us, but for a lot of wealthy people … The better-off [are] being sort of humiliated.’ Without the entrepreneurial rich, Mullen concluded with accidental accuracy, ‘we’d be in a very, very different state’.

Can anyone think of comparable examples? I’m sure there must be loads out there. 

Bono on loc 1510 from the same book:

‘It’s much more glamorous to be on the barricades with your handkerchief over your nose than it is to have a bowler and a briefcase and go to work … But … that’s the way to get the work done. It’s uncool. It’s incredibly unhip. But it’s the way to get it done.’