This looks really interesting. If I had less on in June, I’d be tempted to submit a paper for this in order to try and develop some of my thoughts on design fiction and sociological writing:
Biography and/as Experimental Fiction
5 June 2015
Goldsmiths, University of London
Richard Hoggart Building, Room 137
This one-day conference deals with intersections of biography and/as experimental fiction in the 20th and 21st centuries. While for scientists an experiment is a common way of proving or disproving a hypothesis and thus of arriving at certainties, fiction writers have long been demonstrating that literary experiments tend to have the opposite effect: they open up alternative and multiple ways of reading and pose new epistemological challenges. Similar experimental tendencies can be identified in 20th and 21st century biography, which has seen a proliferation in narratives that disrupt conventional generic expectations and question, or even satirize, traditional modes of representation, often overtly crossing over into the domain of fiction as they tell a historical character’s story. From Woolf’s and Stein’s modernist experiments in biography to Amia Lieblich’s Conversations with Dvora written as imaginary dialogue, from A.J.A. Symons’s meta-biographical Quest for Corvo to Manuel Vázquez Montalbán’s self-searching Autobiografía del general Franco and Janice Galloway’s typographically conspicuous biofiction of Clara Wieck Schumann, writers have extended the range of the biographical through formal innovations commonly associated with the fictional mode. If experimentation has been a staple diet of fiction writers and a defining criterion of much canonical fiction for centuries, the “battle for ‘experimental’ biography”, Carole Angier argues, “has to be fought anew in every generation” as positivist Victorian values prevail to this day (The Arvon Book of Life Writing 58).
This conference will look at narratives about historical characters that constitute innovative explorations of biography’s formal possibilities in their respective cultural and historical contexts. We welcome papers that explore the insights generated by such texts, consider what is gained by specific biographical-fictional experiments and where – as experiments are sometimes prone to – they fail or fall short.
Dr. Julia Lajta-Novak, University of Salzburg
Prof. Lucia Boldrini, Goldsmiths, University of London
(Scottish novelist, librettist, poet, author of short fiction)
Prof. Max Saunders
(Director of the Centre for Life-Writing Research, King’s College London)
Please email your abstract (250 words) + brief CV and academic affiliation to Julia.Lajta-Novak@sbg.ac.at by 13 April 2015.
Delegates will be informed whether their paper has been included in the programme by 16 April 2015.
We plan to publish selected papers from the conference.
Attendance will be free of charge. Light refreshments will be provided.
Programme, travel and registration information will be published at