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On playing well and making yourself heard

From Nietzsche’s Human, All Too Human 156:

When productive energy has been damned up for a while and has been hindered in its outflow by an obstacle, there is finally a sudden outpouring, as if a direct inspiration with no previous inner working out, as if a miracle were taking place. This constitutes the well-known illusion which all artists, as we have said, have somewhat too great an interest in preserving. The capital has simply piled up; it did not fall suddenly from heaven.

One must know not only how to play well but also how to make oneself heard. A violin in the hand of the greatest master emits only a squeak if the hall is too big; there the master can be confused with any bungler.

Human, All Too Human, 177

Just as youth and childhood have value in and of themselves (as much as the prime of life) and are not to be considered a mere transition or bridge, so too do unfinished thoughts have their own value. Thus we must not pester a poet with subtle interpretations, but should take pleasure in the uncertainty of his horizon, as if the road to various other thoughts were still open. We stand on the threshold; we wait as if a treasure were being dug up; it is as if a lucky trove of profundity were about to be found. The poet anticipates something of the thinker’s pleasure in finding a central thought and in doing so makes us covetous, so that we snatch at it. But it flutters past over our heads, showing the loveliest butterfly wings – and yet it slips away from us.

Human, All Too Human, 207

The most fortunate author is one who is able to say as an old man that all he had of life-giving, invigorating, uplifting, enlightening thoughts and feelings still lives on in his writings, and that he himself is only the gray ash, while the fire has been rescued and carried forth everywhere.

Human, All Too Human, 207
Fight! war! fire! violence! death! police! TV! Fuck you!
Start the riot! start the riot! start the riot! start the riot now!
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