• Seaport with the Embarkation of the Queen of Sheba

• My new favourite public art in Manchester

• The poem feeds upon thought, feeling, impulse, to breed itself

• Depressive breakcore as a rift in the sublime

• How do cultural objects change who we are?

• There are no grown-ups, that’s what you must grow up to know fully

• The bear and the cat

• The Sheer Entertainment Value of the City’s Sights, Sounds and Smells: Gilbert and George at the Heywood Gallery

• A slice of reality

• Distracted from distraction by distraction

• Current mood in (not) AI generated images #166

• Current mood in (not) AI generated images #163

• Current mood in (not) AI generated images #143

• On respect for what exists

• How to free associate

• Pieter Bruegel the Elder

• The street art I saw and the street art which was really there

• Current mood in (not) AI generated images #84

• The beautiful problem of the value of life

• Current mood in (not) AI generated images #76

• Revealing the beauty latent within the digital fragments of our cluttered lifeworld

• Current mood in (not) AI generated images #75

• In defence of optimism

• Do thou amend thy face, and I’ll amend my life

• Current mood in (not) AI generated images #67

• On dance notation

• An infinite scream passing through nature

• 🐈‍⬛ In praise of black cats

• Inspiration is the indolent indulgence of the dabbler

• On seeing ourselves through others: L. S. Lowry’s Head of a Man (With Red Eyes)

• The artistic opportunities afforded by self-tracking technology

• Art, research and sociology’s promiscuity